As musicians, we know that finding the best snare drum microphone is crucial for capturing the true essence of your snare sound. A perfect snare sound can create a powerful impact on your overall drumming style. In this article, we’ll explore the general category of microphones and the specific product type that is perfect for your snare drum.
Microphones come in various shapes and sizes, with each of them designed to serve a unique purpose. For instance, some microphones are perfect for recording vocals, while others are designed specifically for instruments. When it comes to snare drum microphones, you want a product that can accurately capture the dynamic and tonal range of your snare.
Before purchasing a snare drum microphone, there are several critical factors to consider. Pay attention to the mic’s frequency response, polar pattern, and build quality. This ensures that the microphone you choose will not only accurately capture your snare sound but also last you through multiple recording sessions and performances.
To help you make the right choice, we’ve spent hours researching and testing various snare drum microphones. In the following sections, you’ll find our top picks and learn why they stand out as the best options for capturing your snare drum sound.
Best Snare Drum Microphones
We’ve compiled a list of the best snare drum microphones for you below.
Shure SM57 Dynamic Instrument Microphone
We highly recommend the Shure SM57 mic for musicians wanting top-quality, versatile performance on both stage and studio.
Pros
- Exceptional vocal performance
- Industry standard
- Clarity and care
Cons
- Requires an additional pop filter
- Not best suited for softer instruments
- XLR cable not included
We recently tried out the Shure SM57 Dynamic Instrument Microphone, and we’re impressed. Its tailored frequency response and brightened midrange make vocal reproduction impeccable. As an industry-standard choice for performers all around the world, it certainly lives up to its reputation.
When it comes to sound clarity, the SM57 stands out. The uniform cardioid polar pattern consistently reproduces warm, crisp sound every time. If you’re worried about background noise, the microphone’s design includes a spherical mesh grille and built-in pop filter to keep those unwanted sounds at bay.
While the Shure SM57 does an amazing job for a variety of instruments, it might not be the best choice for capturing the nuances of softer ones. Another minor issue we encountered is that it requires an additional pop filter for recording vocals in the best possible manner. Lastly, don’t forget to grab an XLR cable, as it’s not included with the microphone.
Despite these minor drawbacks, the Shure SM57 remains an excellent option for musicians looking for outstanding sound quality, versatility, and durability. Give it a try and experience the difference for yourself!
Beyerdynamic M88 TG Dynamic Microphone
You’ll love this versatile mic for vocals, bass drums, and studio use with its dynamic performance and fantastic bass reproduction.
Pros
- Amazing bass reproduction
- High gain-before-feedback
- Hypercardioid polar pattern
Cons
- Higher price point
- External popshield needed for kick drum use
- Possible “vintage” sound for some vocals
We recently had the pleasure of using the Beyerdynamic M88 TG Dynamic Microphone in our studio, and we were impressed by its performance. This dynamic mic has a highly defined hypercardioid polar pattern, allowing it to capture sound with an impressive level of detail. We noticed a significant boost in bass reproduction, making it perfect for capturing low frequencies and their harmonics.
Another great feature is the high gain-before-feedback, which lets us crank up the volume without worrying about distortion or unwanted noise. This is particularly useful when working with louder instruments or in a live performance setting. However, keep in mind that if you’re using this mic for kick drum applications, you’ll need to purchase an external popshield, like the PS 88 or WS 59, separately.
The Beyerdynamic M88 TG does have a bit of a “vintage” sound, especially when applied to vocals. While this may not suit everyone’s taste, we found it to be a unique feature that set this microphone apart from others. If you’re looking for a versatile, dynamic mic that excels at capturing low frequencies and harmonics, the M88 TG is worth checking out for your studio or live performance needs.
Sennheiser Pro Audio MD 421-II
We highly recommend the Sennheiser Pro Audio MD 421-II for its versatility, clarity, and rugged design.
Pros
- Clear sound reproduction
- Handles high sound pressure levels
- Five-position bass roll-off switch
Cons
- Pricier than other options
- Sharp highs may need adjustment
- Bulkier design
The Sennheiser Pro Audio MD 421-II is a favorite among musicians and producers. Its clear sound reproduction adapts to various recording conditions and applications, which is handy in different situations.
One of the MD 421-II’s strengths is its ability to handle high sound pressure levels. This makes it perfect for recording guitars, drums, and other loud instruments. With the five-position bass roll-off switch, you can fine-tune your recordings for different instruments, group vocals, or radio broadcasts.
While the MD 421-II offers excellent sound quality, it’s worth noting that you might have to adjust its sharp highs in post-production or by tilting the mic off-axis. In terms of design, it’s slightly bulkier compared to other microphones, but its durability makes up for this minor inconvenience.
In conclusion, the Sennheiser Pro Audio MD 421-II is a solid investment for any aspiring musician, artist, or producer. Its versatility, clarity, and rugged design make it a reliable snare drum microphone choice.
Audix i5 Dynamic Instrument Microphone
This is the go-to mic for snare drums and guitar amps with exceptional sound quality.
Pros
- Versatile for instruments and vocals
- Durable and reliable design
- Great for stage and studio
Cons
- Not the cheapest option
- May need tweaking for certain instruments
- Slight learning curve for optimal placement
We love the Audix i5 as it’s such a multitasking powerhouse. Designed to capture a larger-than-life sound for drums, guitar amps, horns, and more, it doesn’t disappoint. The i5 excels at capturing vocals too, making it a brilliant option for both instrument miking and vocal performances.
The i5’s flat cap design and durable construction mean it can withstand the demands of live performances, while its consistent performance and ability to handle high sound pressure levels make it suitable for various instruments and amplifiers. Perfect for live sound and an excellent choice for studio recordings, the i5 provides a natural and accurate sound reproduction.
Audix i5 is shipped with a heavy-duty mic clip and a convenient carrying pouch, ensuring you have everything you need for fantastic results. We’ve had fantastic experiences with this microphone and believe it’s a solid investment for any musician looking to capture the best sound from their snare drum or guitar amp. Just keep in mind that it may require some tweaking and experimentation to achieve the perfect sound for your particular instrument and setup.
Shure BETA 56A Snare and Tom Microphone
Ideal for drummers, this mic delivers studio-quality sound and excellent noise rejection.
Pros
- Tailored frequency response
- Easy setup with built-in stand adapter
- High gain-before-feedback
Cons
- Slightly bulky design
- May pick up sound from adjacent drums
- Durability of grille
If you’re in need of a great snare drum microphone, the Shure BETA 56A is a strong contender. Its tailored frequency response is perfect for capturing the distinct tones of your drums, amplified instruments, and horns. You’ll get studio-quality sound every time you play.
The built-in stand adapter with a dynamic locking system and XLR connector makes setup a breeze. You don’t have to worry about finding the right stand or fussing with adapters. The uniform supercardioid pattern allows for high gain-before-feedback and effectively rejects off-axis sound, so you can focus on your performance without distractions.
The compact design is meant to reduce stage clutter, but it can be a bit bulky. In tight spaces, the microphone might be accidentally struck by a drumstick. Even though the hardened steel mesh grille is designed to withstand wear and abuse, some users have reported damages after heavy use.
Overall, the Shure BETA 56A snare and tom microphone is a fantastic choice for any aspiring musician, artist, producer, or singer-songwriter. With its impressive sound-rejection capabilities, and simple setup, it’s worth considering for your next gear purchase.
Sennheiser MD 441-U Dynamic Mic
We highly recommend this mic for its versatility and accuracy, perfect for both vocals and instruments.
Pros
- Highly accurate and versatile
- Great for vocals and instruments
- Low handling noise
Cons
- Higher price point
- Bulky design
- May be overrated by some users
If you’re looking for a dynamic microphone that can handle both vocals and instruments, the Sennheiser MD 441-U is a fantastic choice. This mic offers exceptional accuracy and versatility, ensuring that your recordings sound crisp and clear.
One of the standout features of this mic is its low sensitivity to handling noise. This means that even if you’re moving around while using it, the sound quality won’t suffer. This is especially important for live performances or when using it in a noisy environment.
However, this microphone does come with a higher price tag, which may be a turn-off for some musicians on a tight budget. Additionally, the design of the MD 441-U can be considered bulky, making it less portable than other microphones on the market.
Despite the cons, we still believe the MD 441-U is an excellent investment for those serious about their sound quality. Sometimes, you’ll find users claiming it’s overrated, but we assure you that the majority of owners love the performance this mic delivers. So while it might be a little pricey and bulky, the audio quality and versatility make it worth considering for your snare drum microphone needs.
Shure PGA56 Dynamic Microphone
You’ll love this mic for its clear sound, easy setup, and durable design.
Pros
- Clear sound reproduction
- Quick and easy positioning
- Durable, unobtrusive design
Cons
- Clamps may be tricky to install
- May not suit all budget ranges
- Not ideal for all drum types
The Shure PGA56 Dynamic Microphone is a fantastic choice for any snare drum. We recently tried it out and were amazed by its clear sound and excellent build quality. If you’re looking to upgrade your current snare mic, this is a great option.
One of the best features about this mic is its swivel joint and quick release latch. It’s incredibly easy to adjust and position, making it perfect for those fast-paced gigs. Plus, with its cardioid pick-up pattern, it picks up your snare’s sound while rejecting unwanted noise.
However, we found that the clamps can be a bit difficult to install for first-time users. But once in place, they hold the mic securely. Also, while this mic is a great value, it might not fit every budget. Finally, it may not be the best choice for all drum types, but it works exceptionally well with snare drums and toms.
In conclusion, we highly recommend the Shure PGA56 Dynamic Microphone for your snare drum needs. Its clear sound, durable design, and easy positioning make it a valuable addition to your gear. Give it a try and experience the difference for yourself.
Shure BETA 57A Instrument Microphone
This mic is a perfect choice for professional sound and versatility in various settings.
Pros
- Studio quality sound for instruments and vocals
- High gain-before-feedback and off-axis rejection
- Solid construction and durability
Cons
- Slightly larger size may cause drummers to hit it
- A bit pricier than other options
- Requires proper positioning for optimal performance
We recently tested the Shure BETA 57A Instrument Microphone and we can confidently say it delivers excellent sound quality. It’s designed for professional sound reinforcement and project studio recording, making it a versatile choice for musicians and producers alike.
The supercardioid pattern ensures high gain-before-feedback, isolates it from other sound sources, and minimizes off-axis tone coloration. It works great with acoustic and electric instruments, as well as vocals. You’ll definitely appreciate the warmth and presence this mic offers.
However, keep in mind the size of the microphone, especially for drummers who do lead vocals. Practice proper mic positioning to avoid accidental hits and to make the most out the mic’s capabilities. Also, note that the price may be higher than entry-level dynamic microphones, but it’s a worthwhile investment for the performance it delivers.
All in all, the Shure BETA 57A is a reliable and versatile microphone for any musician or producer. Highly recommended!
AKG Pro Audio C414 XLII
Get the AKG C414 XLII for astounding sound quality and versatility, ideal for vocals and solo instruments.
Pros
- Amazing sound quality like the legendary AKG C12
- Nine selectable polar patterns for various applications
- Great for live sound applications and permanent installations
Cons
- Slightly more expensive than other options
- Might be overwhelming for beginners
- Takes some time to find the perfect settings
As you start using the AKG C414 XLII microphone, you’ll notice its sonic character is reminiscent of the famous AKG C12. This means your vocals and solo instruments will stand out even in a dense mix.
The selectable polar patterns are a life-saver, allowing you to choose from nine different settings for any situation. Plus, the three attenuation levels and switchable bass-cut filters let you tweak the sound for perfection.
In our experience, the AKG C414 XLII is fantastic for both live sound and studio recordings. Just keep in mind that with its numerous features and settings, it might take some time to fully explore and find your favorite configurations. But trust us, it’s well worth the effort.
Shure DMK57-52 Drum Mic Kit
This kit is an excellent value for drummers seeking quality mics for recording and performing.
Pros
- High-performing SM57 mics for snare and toms
- Beta 52A mic delivers punchy kick drum sound
- Universal A56D drum mounting system
Cons
- Some assembly required
- Only includes 4 microphones
- Carrying case could be more durable
Snare drums, rack toms, and floor toms all sound fantastic using the Shure SM57 microphones. These cardioid dynamic mics have a contoured frequency response, giving you that much-needed impact while capturing accurate sound.
The Beta 52A microphone is perfect for kick drums. Its supercardioid design, tailored frequency response, and pneumatic shock mount make setting up quick and easy. You’ll get the powerful, punchy sound drummers crave.
You’ll love the A56D universal drum mounting system. It allows you to position the mics anywhere – on drum rims, mic stands, or even cymbal stands. Its small, secure design and compatibility with any standard microphone make it perfect for both stage and studio situations.
The Shure DMK57-52 Drum Mic Kit is an exceptional value for drummers who want top-quality mics at an affordable price. Just keep in mind that the carrying case could be more durable, and you’ll need to spend some time assembling the kit. But once you’ve got it set up, you won’t be disappointed with the sound quality. Give it a try for your next recording or gig!
Key Considerations Before Buying a Snare Drum Mic
Mic Type:
When it comes to snare drum mics, there are two main types: dynamic and condenser. We recommend dynamic mics for their durability and ability to handle high sound pressure levels. But, if you’re looking for a more detailed sound, condenser mics are worth considering.
Dynamic Mics:
- Durable
- Handle high sound pressure levels
Condenser Mics:
- Detailed sound
Polar Patterns:
The polar pattern of a mic affects its sound pick-up. We suggest using mics with a cardioid or supercardioid pattern for snare drums. These patterns focus on the sound source in front of the mic and reject unwanted noise from the sides and rear.
- Cardioid
- Supercardioid
Frequency Response:
Frequency response refers to how a mic captures various frequencies. For snare drums, we recommend a mic with a frequency response that emphasizes the attack and clarity of the drum.
Look for mics with:
- Good low-end response
- A presence bump in the upper-mid frequencies
Durability and Build Quality:
Snare drum mics need to withstand regular use, especially during live performances. We advise choosing a mic with a solid build and reputation for durability.
Keep in mind:
- Metal body construction
- Sturdy mounting clips
Budget:
Lastly, consider your budget. There are snare drum mics available at various price points, and we’re confident you can find one that fits your needs. Remember, investing in a quality mic is essential for achieving the best sound possible.
Final Thoughts
We’ve covered the best snare drum microphone topic, and now it’s time for some takeaways.
First, remember that a great mic can make your snare sound. It’s an important investment, so choose wisely. Our recommendations- Shure SM57, Sennheiser MD 421 or beyerdynamic M201TG – are solid options, geared towards different budgets and preferences. You can’t go wrong with any of them.
Next, don’t forget about proper mic placement. Angle it towards the drumhead, just over the rim, aiming at where you strike most often. Experimentation will help you find the sweet spot.
Lastly, blending your snare mic with overhead mics will give a more balanced sound. Your talented ears will help you create the perfect mix.
Good luck, and happy drumming!
Frequently Asked Questions
What makes a dynamic microphone better for snare drums compared to a condenser microphone?
We prefer dynamic mics for snare drums due to their durability. They handle high sound pressure levels well. In contrast, condenser mics are more sensitive. They might produce a clearer sound, but risk damage from loud sources.
Where should you place a snare mic?
For optimal snare sound, place the mic around 1-2 inches above the drum’s rim. Angle it towards the center. This position captures the attack and body of the snare, while avoiding unwanted overtones.
How important is microphone placement when recording or amplifying a snare drum?
Placement is crucial. It impacts the sound quality and isolation. Experiment with different angles and distances to find the best placement for your specific snare drum. Try dialing in your desired balance of attack, resonance, and isolation.
How can I reduce hi-hat bleed into my snare drum microphone?
To minimize hi-hat bleed, try angling your snare mic away from the hi-hat. Use precise mic positioning. Also, consider using a tight polar pattern microphone to reduce pickup of unwanted sounds. Remember, proper playing technique helps too.